#they have literally no reason being as good together as they are

[euphoria-looney]

Idk if you’ve seen Nosferatu but I think a situation like that could totally apply to (Name).

Brief overview:

In Nosferatu, the main character Ellen grows up feeling lonely and isolated. She pleads for a supernatural being to arrive and comfort her and she wakes up ‘Nosferatu’ who makes her pledge herself to him fully. There’s loads of other stuff as well but I think this main idea would be interesting. Nosferatu in the movie is really, really old and ugly, but I think (Name) deserves a fit, hot vampire boyfriend/husband. But essentially he’s like a Vampire Count, aka Dracula.

How it’s play out:

(Name),as a young child, calls out for ‘Nosferatu’ (or whatever name the vampire will have) and he wakes up. He makes them pledge their complete loyalty to him for all eternally, essentially making them his ‘bride’. (Name) is comforted by him, but this connection fades as they grow older.

Then, when they turn 18, Nosferatu calls out for them in their dreams and travels to Gotham, keeping them in his manor. He’s basically a yandere in the movie anyway, so (Name) is kept quite weak and docile due to his mind control, spending most of their time doting on him or sleeping.

Now, I think it’d be interesting for the Batfam to react because the thing about Nosferatu is that the oath to him MUST be consensual, give or take MAJOR manipulation, but still, (Name) has to willingly go with him. So the Batfam have to come to terms with the fact that (Name) literally chose an obsessive, undead (but fit) vampire husband over them.

And ‘Nosferatu’ is NOT going to play fair if they try and take his bride. Literally no Dracula variant does.

I Asked For a Friend, But Got a Husband?

"I sense her in my mind, she's my collar" She's My Collar (feat. Kali Uchis)

So Much More. (Should I name this something new? Since it's a different AU?)

Special (?)

Divider Creds: @anitalenia and @qqmariztwsse

Being young, barely seen or heard, I could only busy myself with books. Even then how many books could I read before feeling that loneliness knaw on me?

Okay, dramatic I knew but who knew this one feeling would lead me to immediately get married by the age of eighteen?

I know how bad that sounds, trust me, I was the one who experienced it.

"What are you thinking about right now, honey?" I felt arms wrap around me.

Meet Elzire.

(Cred to this art and oc: @♱⋆༒︎Ren༒︎ ⋆♱/lcttuve)

"Nothing much," I replied looking through our mail.

How we met, well I believe it because of this, but don't take my word for it, I might just be delusional.

I had gone to the library and saw [D/D] she ecstatically waved to me before Damian pulled her away giving me a sneer. I waved that off and looked around before spotting a book that I’d never seen before. 

It had a blood red cover and the title ‘Forever’, curious, I opened it. It seemed like a child's story as they had short sentences and photos. It starts with a girl who, one day after being tired of being lonely prays to the gods of her world she doesn’t care who or what they sent no matter what they looked like or how they acted as long as they were her friends, and nice to her at least, she would be happy.

Then it happened, a boy her age descended to her and every day they would play before growing old together.

The end.

I put the book back before returning to what I was originally doing, studying for my next exam.

— 

It had been a good week since I read that fantasy child’s book, and I couldn’t get it out of my mind. I went to the library at night when everyone was either on a mission or asleep and to my surprise the book was gone.

Someone must’ve thrown it out, there’s no reason to keep it here anyone.

I let out a sigh before heading back to my room and though I accepted the book was gone I couldn’t help but wonder, could I do that?

No, that’d be silly.

But…

It never hurts anyone to try.

“Please, whoever is out there, please accompany me and become the pillar I can lean on.” 

.

..

…

Welp I tried, back to sleep I have a piano recital tomorrow no time for these goofy beliefs.

3RD POV

 A figure descended into [name]’s room their black hair fluttered from the wind and their red eyes and fangs glistened in the dark of night, their hands like claws before stepping into the light a little more revealing a tall yet built man he looked angelic despite being a vampire that was friends with a demon, specially Barbatos.

He creeps a little closer to [name]’s room crouching to caress their faces. Making them blink open their eyes.

“... Am I still dreaming?” They question themself. Making the vampire chuckle holding their hands in his and asking.

“Do you mind becoming mine forever?”

“Woah, my wish worked… sure, why not.” He smiled happily placing one of their hands on his cheeks and relished in the warmth that their hand brought to his freezing complexion.

Before they had passed out.

He caught them before they could slam back onto their bed and gently laid them down.

“Don’t miss me too much.”

—

Holy crap what was that dream? 

Maybe I shouldn’t mind it. 

For the next few years, nothing changed except my dreams. Then I turned eighteen and it was out of pure luck that I met him, his name was Elzire.

We got married that same year after a few months of dating which I was totally against but then he convinced me and it hasn’t been like our marriage has been going great. I don’t like that he wanted me to be a stay-at-home wife.

Don’t get me wrong I appreciate him wanting this for me because he doesn’t want any workload on me but I just feel that it’s unfair for him.

Too bad the only payment he wants from me is to do simple household things but even that he just hires some housecleaning or helpers instead of letting me do it and when he comes home to get his pillow, it’s nice to play with his hair, might be better than mine.

Today again though I’m stuck at home and there’s nothing to do as I finished everything, it’s not hard when only two people are living in this house.

I went to look through the mail before finding a letter addressed to me.

It’s from Alfred, but I had never told him where I moved… It’s fine, this is Alfred we’re talking about.

“Dear young master, [name], 

How have you been? It's been 7 years since we last saw you or contacted you, I managed to get a glimpse of you and was able to deliver this to you.

Your family has long awaited meeting you again, if you could give them the chance to see you that would be lovely.

Sincerely, 

Alfred Pennyworth.”

I looked over my shoulder to Elzire before responding.

“I got a letter from my old butler Alfred, saying that my family would like to meet with me again.”

“So suddenly, darling?” He raised his eyebrow at that. Seems he was as lost as I was. I told him everything like he was my therapist so he knew too well himself why this wouldn’t make sense.

-

Despite my hesitance, I decided to go.

"Really Sweetie, you don't have to this isn't something that I would waste my time on, so neither should you." One hand on the steering wheel and the other holding my hand.

"Come on, El, I'm curious, 23 years of my life and only now do they care to see me. Wouldn't you also wonder why?"

"Wonder, not meet. but because I love you and I care for you we'll still go." He squeezed my hand a bit before softening his grip again.

We pulled up on the driveway and saw Alfred come out of the manor.

Elzire got out of the car first before opening the door for me, helping me get out.

I approached Alfred before bringing him into an embrace.

"Alfie, it's been so long." I pulled away before directing his attention to Elzire.

"This is Elzire."

"Pleasure to meet you, young sir." Alfred did his bow before leading us to the living room where the whole family was.

"[name]" [M/D] whispered, tears welling up in her eye, standing up and starting to approach me.

I smiled but didn't reciprocate the hug she was trying to give me.

"[name], we realized our mistake. it's time to come home." Bruce told me.

"Well, as much as I'm... grateful for that offer, I've already moved on and had a life, where you guys no longer matter or are related to me anymore."

"What are you-"

"This is my husband, Elzire. And I don't plan to leave him, for this."

Guys I quit on this if you couldn't notice the ending was rushed so badly, I'm so sorry to the one who sent the request I know this isn't what you would like but I kind of had a mind exploration, and now I have no idea what or how to write this request.

Maybe I'll rewrite this in the future but for now, this is the main result. If you were looking for a confrontation. It's kind of the situation of this Special.

Genuinely y'all could make your own or imagine this scenario. I have no idea what I'm doing anyway, thank you so much for reading this I don't think I'm tagging anybody on this and supporting other batfam authors, especially with all the hate that I've been seeing Luckily I haven't received anything.

Bye-bye, if anything is too unclear and grammatically wrong inform me!

Elzire:

(Cred to this art and oc: @♱⋆༒︎Ren༒︎ ⋆♱/lcttuve)

-ILoveeeMoney

[purple-paige-purple]

my main pazzi evidence!

hey guys, people have been asking me to give me reasoning as to why i think pazzi is real so here ya go. there is A LOT more i could say and a ton more evidence but imma try to piece my basic thoughts together explain as much as i can consicely.

1. their general vibe

ok lemme say first of all, the thing that pisses me off most about pazzi deniers is that they dont acknowledge hard evidence. like hand placement, eye contact, the "is it spit" video, etc. but the thing that's the absolute kicker to me is their entire vibe around each other.

i think the animal letter/pillow video is a really good example of this. start by imagining how you would play that game with your friends, even your closest friends of ten years. would you giggle at them and smile at them the way that p + a look at/talk to each other? probably not. (and if you do, babes im gonna hold your hand when i tell you this...) the entire video was just not something you'd expect from friends AT ALL.

also. the way paige's ENTIRE demeanor changes near azzi. duuuuude its so adorable. any time she's talking to azzi, and even sometimes when azzi is within earshot, paige's voice softens SUBSTANTIALLY and she becomes more thoughtful and calm. an example of this would be kk's (second) crumbl live in the bedroom, when azzi walks in and all of a sudden paige is now giggling quietly as opposed to cracking up loudly like she was before. i think its the whole "calming presence" idea and p + a really both are each other's anchor.

also u don't go on a cruise with your best friend and act the way they acted (and posted).

2. the hard evidence

the aforementioned "is it spit" video. like bro. no matter what the fuck azzi said, what paige responded was extremely suggestive, and azzi's reaction to it just proves that. paige we know that ur faggot ass's favorite tongue movement to lets just take a chill pill on live tv (jk pls dont stop keep feeding our delulu pazzi shipper asses)

another piece of hard evidence: "happy birthday to the precious princess 💗" OK PAIGE WE KNOW SHES UR WIFE. paige wanted to say "my precious princess" so bad its so obvious

paige and azzi also have not shut down ANY rumors or even spoken on the subject of their suspected relationship. instead, i would go so far as to say they've fed into it, the posts about each other, the continuous posting of the "💗" emoji even though the entire internet has a suspicion about what it means. this also ties into the fact that they do have social media, paige is active a lot, their teammates are active, and they definitely (no matter how) seeing these pazzi edits. they are OUT THERE and even the announcers know it.

ice and kk's faces whenever p + a are flirting got me ctfu every time. ice does not try to hide it AT ALL and even though i think kk tries, once in a while she makes a face (the interview where she is in the middle of them)

3. no other relationships/their dynamic

lets be generous to the deniers and say that they've only had smth (a relationship, whether it be serious or not) since 2021. they have not been with anyone since. i will say it again. they have not been with anyone since. with their popularity and how gorgeous/attractive they both are, i feel like if they were seen close with anyone, we would know about it. fine, someone could say they are just both locking in to school and bball, but i really just think p + a work so well together and basically have the same schedule so there is pretty much no negatives to them being together, therefore no reason why it would take away from school/bball. i think they are each other's person and really just compliment each other so well (opposites attract!)

basically the way they act is not how "just friends" act. i dont make the rules 🤷🏻‍♀️

ok so thats my basic thoughts. i could LITERALLY go on for pages (and i will if you guys want!) just let me know (send me an ask or smth) and ill make more posts with more evidence and just basically debriefing it. ok thank u girlypops for listening to my ted talk

ps. thank you to @elliesglock for debriefing some of the uconn lives, pls continue bc they are so fun to read and u have such good thoughts on everything!

[onceinamillionposter]

Yandere!L&D band headcannons

a/n : i literally just felt silly so I mean why not

Lead Vocalists : Rafayel

Drums: Sylus

Guitarist : Zayne

Guitarist : Xavier

Lead rapper : Caleb

With you as the manager !

Right off the bat, it was hell. You got hired from your last gig because your last managing job didn’t quite work out with a whole money laundering scheme being run behind the scenes and you having no idea, you were broke to say the least.

That was before you got that DM, the old manager of the L&D boys is retiring , and apparently you would be a good fit- although your face was all over the news. You practically jumped to the opportunity, signing your life away as you knew it.

You got situated slowly, being introduced to the members - Caleb and you hit it right off the bat , as well as Xavier and Rafayel but Zayne and Sylus were quite distant.

You learnt about them, Caleb would often pick on the others , Rafayel would be trouble just for the fun of it , Zayne was busy reading books and sketching new designs for the band and Sylus was often talking to two twins? You never pried and he never told. Xavier would always be asleep on the common room couch but would wake up when you were desperate for things done.

You had gotten used to the routine, managing accounts would have Rafayel sitting scrolling on his phone in your office often asking ,”Do your eyes not get tired looking at the screen? Why don’t we just go out!” Often you were able to get him to stop bothering you but sometimes he would drag you out regardless making it a bit too intimate.

When it was spring cleaning day , you and Zayne often bonded in silence, sometimes you asked the him about his interests, learning he’s a fan of medicine and drawing anatomy which garnered your attention so you would discuss about what you knew.

Sylus and you would work out at the gym, turning into a competition sometimes. He would help you box and you would show him pilates which he never (openly) struggled with. Sometimes you guys would go on morning runs - very early runs just so people don’t get the wrong idea.

Caleb, and you would bond over board games - monopoly, uno, hell even chess! Anything to keep the day moving. Also investing in the newest consoles (he has the bank of a billionaire he just wanted to tease) , and surprising you with them became normal. Just dance was an interesting time!

And finally Xavier, you and him watched movies and shows together and it was so fun - for you - often enough Xavier just fell asleep but when he woke up, you would cook together or at least try. He burnt more than cooked but that way okay, cause in the end the cupcakes were edible- sure they weren’t the best but they were consumable (when you look past the dark crust)!

You usually had to help them get things set up, stages, events and outfits. Everytime the tailor came in you figured that you would be sitting in a different room but for some reason or the other, everyone - minus Zayne - found a reason for you to be taking their measurements. Shirtless , might I add.

Rafayel claimed the tailor was incompetent - as if a novice like yourself would be any better , Caleb said that the tailor kept scratching at him - you took a peak at the nails and they were the dullest acrylic’s you had ever seen , Xavier said they made him uncomfortable but they had a squeaky clean record last time you checked and Sylus - ever honest - simply said “I hate them.” (you had to make them sign a non disclosure agreement after all of this)

One way or another you slowly were apart of their daily routines. But then the stranger things came, the weird lack of dating claims, back before you became manager there was tons of women that were accused of being with them but suddenly it was quiet. Too quiet, and then the first leak of you came with you and Sylus in an uncomfortably ,weirdly, intimate position. Slowly the media turned heads, it was strange it had been awhile since they had been in. any romantic spectacles and the media love drama.

Another time was Rafayel holding your hand and you holding his plushies he won at the arcade, him dragging you to the next stand. At the time it was anything but romantic but now it looked like a common date? To say the media blew up was a surprise, you had to practically beg Rafayel to make a video clarifying it was just getting him new stuff for his room.

Again a stupid photo really, Caleb holding your clip board so high you had to get on your tippy toes, it was backstage so you had to guess it was the people backstage who were working that took that awfully blurry photo- a pain it was really.

You and Zayne- to your surprise- also got a photo! Hooray! You took him out to satisfy his sweet tooth, he insisted he couldn’t work without it - (he just wanted you to himself) - maybe it was the setting? It being a kitty cafe but you know what - you still don’t know but it garnered attention , another tweet to the main profile for the boys.

But the worst, Xavier resting his head on your shoulder after a long day at the studio. He was so close, too close for you to even make an excuse at the time. But either way the criticism rolled in,

“L&D boys pass around,” “Manager managing all 5 boys”, “Common whore?” It frustrated you so deeply you wished to quit the job as much as you were payed , deciding it wasn’t worth it. But you didn’t know , they weren’t giving you up like that. Not when they slowly loved you, not yet.

[jaehaeryshater]

Ygritte and her daughter Bael Whitewolf

art by: @nautieval

I am so grateful that my oomfie worked on this commission for me. This is literally my fifth Ygritte commission 😭😭😭 at this point I’m her biggest fan. I think that it turned out so beautifully. It’s also the first art I’ve paid for that includes Ygritte’s daughter beyond the fashion sheet Nata made me for the entire House in December. I love Ygritte and I love Bael, I’m so happy to see them together and see Ygritte as a mom. Obviously she has many faults and is a violent person, but at least with small children she canonically does have a soft spot and I think she would have loved being a mother so long as she didn’t have to compromise who she was a person.

This is from my AU where Jon becomes King Beyond The Wall before he abandons the Freefolk. The AU predicates on the theory that the Others will only negotiate with a Stark and that all other attempts to get rid of them will fail (obviously I don’t think this is true canonically but the AU is if it’s true), based on the very first chapter of AGOT where the Others were communicating over Royce, perhaps they were wondering whether he was a Stark, which would mean they should capture him instead of killing him. It actually isn’t all that relevant if it’s true, only if the Freefolk believe it is. Mance wants the best for his people and he wants them to survive, so he passes his metaphorical crown to Jon. That’s when Jon forms House Whitewolf and he marries Ygritte since he decides he will try to negotiate with the Wall instead of going back to them entirely (his need to feel important and needed of his own volition, especially since his brother was also King, is also a factor as to why he stays). Please please please, I am begging you, don’t complain that he’s married to Ygritte instead of Val. This all occurs without the Battle of Castle Black and with who Jon is as a person, the responsibility he feels he owes, and the fact that he believes he is in love with Ygritte, is the reason that in an attempt to maintain as close of a character as he was in the books, he marries her. If you want an AU where he marries Val, I encourage you to make it because it is quite fun to do. Back to the timeline, Bael is born on the march down to the Wall, where Jon is hoping he can get the Freefolk through. They don’t stop for long for her birth, only during Ygritte’s labor, then they continue, as time is of the essence. Bael is Jon’s heir until her brother is born three years later, which is a foreign concept to the Freefolk as they previously did not pass Kingship on that way. But she shares Jon’s blood and should Jon come to pass, she would be their only hope of ever communicating with the Others. She’s also important in the negotiation with the Wall as Alliser tries to coax Jon into giving up all his demands and surrender himself for execution as long as they let Bael and Ygritte through the Wall.

Ygritte is a very good mother and protective of her daughter. She loves her with all her heart, as does Jon, but as Jon is incredibly busy, she does have a special connection with her oldest child. She raises her up like a Freefolk woman and she’s as soft with her as a quencher of the Freefolk could be expected to be. She’s so proud of the human she’s created and that she has fulfilled her ultimate person from the Old Gods. When Jon is off in battle, she serves as a regent in her daughter’s best interest.

I have a whole headcanon post for this AU and House Whitewolf, if anyone is interested. I posted it on either November or December. I cover everything from Bael to the rest of the children, the children’s hobbies that are influenced by indigenous cultures. I talk about where the Freefolk eventually settle as well as what changes Jon makes to their culture and how him being King is different than Kings of the past.

I cannot think @nautieval enough, they honestly got this out really fast for me and didn’t need a lot of references. The art is super pretty, their commissions are open as of now so I of course encourage anyone and everyone to reach out and purchase a commission from them.

[mollywilcoxvo]

It's a weird flex to watch a show for years, and continue to hate on them. Like if your jealous of their gameplay, or their friendship, or... Whatever - literally nothing is stopping you from getting your *own* gameplay and friendship how YOU want it to be.

Nothing but you.

Am *I* jealous of the fact I haven't gotten to play a game with them? Oh fuck yes. But that is a very close-knit, carefully curated group. They don't let just anyone in to sit at their table.

They vet every single person to confirm that they're going to fit with everyone else. They have to. Not only because it's a revenue thing - it's a personal thing. Orion fucked their ability to trust people for a very long time.

So, I'm good with not being a part of their game. I respect them for putting things together like that. So they have other things going on that I don't respect? Sure. But if you're going to pick at them, pick at them for those reasons - not their friendship.

Do fans of Critical Role even like Critical Role? Christ, I can't look into anything for even five minutes before I see something about "Matt changed this class to make Marisha overpowered because he didn't want his wife to suck" or "Taliesin metagames and is a creep to his friends because he's touchy" (and it's namely hate for those two, but by the Gods, it's all bad). And there's so much that's blatantly untrue, like. I just saw someone bitching that Molly dying was scripted when if you watch the episode that's just. Blatantly untrue. Look at how Taliesin reacts. He has a full panic attack that makes him leave the table. Matt has never deliberately changed anything just to make Marisha overpowered -- he changes things to balance classes when he realizes that things aren't working, like he does for Vex and Trinket in C1. Like he does for the entire Blood Hunter class when he realizes that it's too hard for new players at early levels. People are genuinely so mean to a group of friends just having fun playing a game. God forbid any of them make a choice that may seem wrong at the time because they're reacting in the moment. Do you guys even like these people? Are you okay? Genuinely?

[kirkwallguy]

okay final post. i think part of the reason why i hated taash's story so much is i DID find it relatable, they remind me a lot of myself at sixteen: coming out as a teenager and being extra sensitive to anyone who doesn't immediately understand you and lashing out at your well-meaning but uninformed parents is pretty common. shathann dying before this is resolved and taash realising they were needlessly cruel out of fear of rejection COULD have been heartbreaking and an actual good way of pushing the regret theme, but this isn't what happens lol. taash acting the way they do could be fine, i like it when a character has flaws and an exploration of how messy coming out as trans is would be an interesting subversion of how fucking boring coming out stories become when you reach a certain age, but the fact that rook can't really tell them to cut it out and the fact that they have literally no reflection or regret beyond "i wish my mum and i had had more time together but at least she didn't misgender me as she died 👍🏻" makes it feel as though the writers actually think them treating their mum the way they do is somehow satisfying or good, because the game's narratives feel like they were spat out of an ai trained solely on reddit aita posts. and that isn't even getting into the multicultural angle which needs a whole essay by itself and i've already annoyed myself too much for one morning.

[woooshworldtwo]

AT A LOSS

TAGS: WIFE!READER [Originally just mentioned once in dialogue but otherwise just spouse is used when describing said relationship between characters], Husband!Caracalla x Reader x Unrequited!Geta, Mentions of sex, Brief mentions of slavery [gladiators in the Colosseum], Brief mentions of animal cruelty [animals participating in the Colosseum], Historical inaccuracies, I'm not sure what else.

FIRST NOTE: I think I wanted to try accentuating the care he wants to give reader and therefore ends up treating those around him as what he sees them as- disposable and like shit. Geta is a TERRIBLE man so I guess I just wanted him to be pining for someone he knows is out of reach. I was gonna make it a series to like Caracalla x partner reader x unrequited Geta. if this is the first chapter, ngl idk where to trail off from there. i kind of write while im smoking just to fuck around so maybe i could write at least five-ish chapters if i think of a good enough plot. WHAT DO YOU PEOPLE THINK?? who knows i could even do the same with Caracalla, it could make sense cause he literally kills his brother in the movie

SECOND NOTE: pov ur me, high off like five tokes and u watch Gladiator 2 the day it comes out on Paramount+. BOOM, obsessed, love it, don't even care about the historical inaccuracies. For some reason, as someone as not all there like Caracalla is, having that deep relationship with his brother, once he notices that lil interest Geta has, or even just the doubts of others finally becoming to a point where my guy has to LOCK IN to keep his partner w him. not cause they don't love them, I think it would be cause he loves THEM too much. I'm talking bristling at the notion whenever he thinks of them together. JUST UNSPOKEN TENSION. do u guys enjoy that?

THIRD NOTE: unfortunately, i have more to talk about but no one to say it to so ur my audience. yelling into the mic i ask, do you guys think I should write porn of Caracalla and reader FUCKING?? idk if it would even include Geta- IT COULD, WHATEVER YOU GUYS WANT. I sort of just wanted to explore writing intimacy as an actual action instead described as thoughts. leave ur thoughts on what u guys think on that too bc im literally so curious.

PLEASE DON'T COPY MY WORK, I BET YOU

Summer in your lungs, and alcohol swimming in your stomach; Caracalla wonders if he's seen beauty such as yours. Never alone in the hours of the night, the lovers he takes soon notice how harder he is to satisfy, to sedate into a warm puddle wrapped in expensive sheets- instead becoming unflinching to the pleasures that usually melt his tortured mind.

Intense with his emotions, he swears this affection was there from first glance. Taken sight of you at in your hazy glory; the clothes accentuating the shade of your skin, the warmth of your eyes, it only takes months before you two wed.

From there, days are blissful. Misery always follows, but he finds with your company at his side, falling into the episodes of madness are rarer and rarer.

Perhaps it's the sweetness of your soul mending what his lacks, or having the closeness of your body distances the pestering thoughts appearing out of thin air. No matter what is it, with his claws dug into your being- he refuses to let go.

Dimmed by what other's consider insanity, it's difficult not to see Caracalla's growing lucidness. Coming face to face with it, Geta realizes any foes and enemies of Rome has never been as close as his brother has to the inner workings of his mind.

Divided by grace, the affection for you has been its limit. As the eldest, Caracalla bears the pitying glances from other's in the palace; to have the responsibilities laid on Geta is blasphemy, but who else can handle its weight when his mind is in two?

Who else to lessen its everlasting ache if not you? For that reason, such as many others, is why he cannot risk this becoming what he has grown familiar with- sharing with his brother.

Holding the same curiosity he did in the faint moments of childhood, his Adam's Apple bobs faintly- and when you look to follow its movements before returning your gaze to him: a faint shiver is felt and repressed in that same breath. "Caracalla?"

Asking in a murmur, he knows what you're referring to. Living with you these past handful of months, he can recall the number of times you've cut each conversation he's thought out into nothing more than small talk. In one worded questions, he cannot help but admire the relaxed sight of you.

So much so, he allows you to each time. Tossing the unspoken plans of connection for small talk, he nods. A hint of a smile is seen, and alone from that, you beam back at him.

Genuine like the sun, to continue seeing it, it makes it easy for him to keep spew out half thought words in hopes something he says would land. "He will arrive shortly, do not worry.", it ends with your name, echoing from his mouth, and although the God's have given him the same glory they themselves hold at their fingertips; nothing has sounded as holy.

Bounded by faith, the prayers he spills are ingrained in the folds of his brain, but once consumed in these times of power, he wonders if he should dare step closer to the soul he swears should beat for him.

"... Geta?", Unknowing for how much time has past, the beaming smile you once held is melted into a small frown. Quietly urging him to the present like he's seen you do with his brother, there's a warmth blooming in the hallow part of his chest.

Cherishing the brief concern, it only seems to remind him what Caracalla has naturally and what he takes the scraps of.

Still leaned back into the expensive marble, the wall itself is a pale enough color to forget about, instead focusing on the features he, too, fantasizes of in passing moments alone.

"Where did you go?", Too familiar with speaking to the other emperor, the question is thoughtless when spoken, yet its weight is felt nonetheless. "Nowhere. Just here.. Are you enjoying yourself?", Taking a pause, he eventually speaks again. It's done when walking to the the throne nearing Caracalla's; the one you sit in.

"Quite the spectacle.", Your eyes peer down at the sight below; bloodshed in the Colosseum's sand doesn't make your stomach twist like it once did, however when watching captured men swing weapons- and seeing another one fall, you look to him again.

Sitting at his own throne, you find his eyes already on you; a quirk upturning on his lips to show the pleased buzz your words give him. Gladiators from conquered lands, their purpose in Rome is to win their survival and amuse any passing visitors. Yet in the past year or so, since your arrival, he's found a deeper sense of pride at their display.

Growing passed the Senator's praise, passed continuing his parents past teachings, he has found serenity in the amazement you hold so clearly.

Seeing your wonder at the captured animals; their stature towering over the sand's flat ground, using its strength to trample over any competitors- he finds himself chasing the occasional bursts of attention he manages to keep with in your magenta sunlight.

Never promising loyalty to anyone; he chases it when you're unable to give it, the mess of concubines and courtesans who he cannot remember the names nor the faces of, only remembering their similarities to you- their purpose has been asked for more as of late, and neglected all the same soon after.

No matter if it was seeing a person with hair similar to yours, a familiar sounding voice, even just dressed in clothing resembling your own; they were sought out after in hopes of finding you in them.

He finds it only lasts briefly.

Of course sex is endless, at the call of his voice and at the stop of a groan; services are there to satisfy whatever craving he has. But after each round of breathlessness, he finds that hunger for what is missing growing into something insatiable.

Hours spent, feeling their bodies, picturing what your own must look like underneath the white moonlight casting into his bedchambers. Each thrust is heavy with yearning he cannot mend, moaning for warmth he cannot have; he damns Caracalla in those times for finding you first before he did.

Perhaps then would you be his spouse. To bed you the same way his brother does would be true nirvana, to hear those same whimpers he knows you're able to make, to feel you shiver and tighten around him the same way those people do; it's what he longs for.

He's certain then he'd be more than just rough, chasing whatever high is made in a blurry of orgasms- it becomes difficult to differentiate who is with him and who is imagined; not when his eyes are shut and your image is all he sees in its darkness. Tenderness is taught, and if his brother was able to learn to extend that same to you; there is no doubt he'd do the same.

"Are you enjoying it?", Turning your focus back onto Geta, his answer is a hum. The sound is husky from passing thoughts, and strain for what should be hidden; he takes a moment to gather his words.

"I always favor your company, the spectacle is merely entertainment.", Repeating what you said only minutes ago, the unexpressed emotions behind it is registered in your mind- and although brushed off originally, that denial you have becomes harder to not believe Geta's feelings becoming more noticeable in the time spent at his brother's side.

"The ambience of cheering Roman's, animals in pain, and dying men; no wonder we have such lively conversations in these times.", Another quality of yours he finds endearing is your dryness. The harshness soaked into your veins from being raised by your family has not changed you the way it has him he notices; viewing the cruelties of Rome in whatever light you could shed, he once again almost smiles, a quirk of his lips turning upwards showing.

"Complaining to the emperor for the privileges he's given you? What an ungrateful wife you are.", Breaking out into a smile, what is said is anything but malicious. Leaving Caracalla unmentioned; unsaid, his mind is soothed from its ache, mending itself when remembering it's just you and him- hidden away.

Alone in a place where he can pretend you two are more than in-laws, there's a warm stirring at the sound of your laughter. Filled with humor you express so freely, it reminds him of conversations with your father throughout the years; his stories of your youth.

Defiant in ways he wishes he'd seen, and mischievous in ways he knows you still are; the only changes is now you're not tangible. Yet, lost in affections like he never got to be as a boy, he doesn't mind who he's face to face with now. Not in the slightest.

"Forgive my insolence, emperor; I plead for it.", Clearly you speak to Caracalla too much because the shiver trailing up his spine goes directly into that heated feeling in his abdomen. Aware you're unknowing to the effect you have, it only worsens at the hint of playfulness heard.

"Oh, you're forgiven. The God's have extended their mercy onto you today, but be wry, they could change their mind.", Unwilling to give into the arousal brewing, the tension he's created in his body, he replies with a smile- one that lingers too long.

Mischief isn't needed to be noticed in the palace, not with the two emperor's having their souls intertwining themselves with your own- no longer being unheard by those around you, that streak remains. It brings an amusement greater than bloodshed to Geta, and even more so to Caracalla. Smoothness of your words he swears is coated with the sweetest of wines; it disarms what would be seen as scrutiny as nothing more than a jest.

With humor being forgotten in such trying times; outside of what the Colosseum offers, and outside of the different celebrations of another conquered land- Geta finds your spirit is lightening to what is constantly dampening in his.

Shouts of Roman's are heard, like you predicted, and another man falls. However, with neither of you truly paying attention to the sight; their deaths were not offered the same graciousness you're given so carelessly, so frivolously: and when one of the last remaining takes their bow to surrender- only then do you look away.

To see your eyes of amusement grow into something unreadable, his own smile dims into a frown.

Standing from the throne, his hands rest on the Bisellium's railing, he grips onto it tightly when seeing below. Blood stains the sand as always; the deceased laid out over it in the afternoon heat, and the two lone man kneel. Meters away from one another, your eyes flicker between them, and soon Geta speaks up again.

Mercy is yelled in the air, and when he asks you, his voice is quieter than intended, "Shall we show mercy?"

Sparking what was lost, you nod, and another smile is seen, "Mercy."

Prayers do not solve what is inevitable, he finds, not when the God's blood soars through his body. The threat of rebellion, and the stings of betrayal, that mask that hides it all becomes wavering whenever he's with you; wishing to you like he did as a child to the God's for power, to worship you in ways he only should deities- it almost feels blasphemous.

Even more so now, when you don't understand the importance behind what he says; the grace he offers, the laughs he lets slip out- it is only the beginning of what he could promise you.

FOURTH NOTE: Now that you've made it this far, I wanna like drift away from what I was writing on my old account. it was just small paragraphs, but writing on a laptop just HITS DIFFERNT- literal hours spent doing this shit. I don't rlly wanna take requests bc i feel like my time is just too hectic for that, BUT I WOULD LOVE to hear your guys thoughts!! Okay, small series on these characters- Quinn Mossbacher, Simon Kalivoda, Ethan Russell, DIMITRI KRAVIOFF, DANIEL MARKOWITZ, JASON HOCHBERG, and finally our beloved; Caracalla. bad part is I haven't most of the movies they're in, so i don't want it to be inaccurate.

FIFTH NOTE: currently i'm writing a Johnny Storm fic series inspired by the new Fantastic Four trailer (writing the third chapter of what could be a five or even eight part series if I get to understand that franchise better), an Eddie Muson fic mainly just to fuck around and post that old one I never got a chance to. also an Adrian Chase fic i found on my laptop, another one for Koby from the one piece live action (I was inspired when the show first came out), and joe goldberg

FINAL NOTE: I've wanted to get into watching Yellowjackets. LOVE THE SHOW. Another thing I wanted to ask bc when I write for women characters, i like to write them as WLW. SO would you guys like it if i also wrote for Iris (Companion), SISTER BARNES (Heretic), Jinx (Arcane), Lucy Maclean (Fallout), Rhiannon Lewis (Sweetpea)?? one day if i sell out and get a membership to Prime or those silly addons; I WILL.

[hamiltonfc]

.𖥔 ݁ ˖⋆⭒˚｡⋆ MOTH TO A FLAME; JUDE BELLINGHAM (Chapter Two)

➤ Summary: Surprisingly, Jude and Noah seem to be getting on well, until Noah does something to get in Kaia's bad book.

➤ Pairing: Jude Bellingham x F!OC

➤ Warnings: Swearing, Food mention.

➤ Discussion tag: #my works: moth to a flame (if you ever have any questions about the story, release schedule, etc. my inbox is always open.)

➤ Word Count: 3,171

TAGLIST | SERIES PLAYLIST | SERIES MASTERLIST

Kaia’s POV

“And this is Jude. My best friend.” Silence hangs in the air for a short while after the introductions. My stomach is tied in a knot while I watch Jude take in my new boyfriend. If it were a stranger perceiving Jude, they’d probably say he’s happy to meet him and that he’s happy for his friend. But I’m not a stranger. His body language, the slight strain in his jaw from the way he’s gritting his teeth and the way his eyes quickly flash to mine tells me everything I need to know.

Jude extends his hand in Noah’s direction. “Hey,” he says while Noah’s hand also leaves the side of his body, grasping Jude’s. “Nice to meet you.”

“Nice to meet you, too,” Noah says, quieter than how Jude said it, nerves an obvious thing he’s feeling. The last time Noah came over, and met my family, I knew he had been really nervous, and rightly so because he knows how much my family means to me. But, when it comes to Jude, I had spoken about him so much, about how we had known each other our whole lives, grown up together. Noah knew that Jude meant just as much to me as my family did. However, there was something else about Jude that didn’t threaten Noah, I don’t think (it had threatened other guys in the past), but there was the small fact of Jude being the man in my life. Jude was Noah’s competition, even though I’d told him he had nothing to worry about in the romantic department, and he believed me, Jude’s status in my life was something for Noah, or any other person who wanted to be with me forever, to reach for.

“Oh, hi, Noah,” my mum walks into the room, carrying two plates of food. “Right, these two are for you,” she nods her head at me and Noah so I promptly take my seat across from Jude, as Noah moves to sit right beside me. “Jude, William will be in in a second with your dinner. He’s currently making sure you both get a couple of extra Yorkshire puddings,” Mum flashes Jude a smile. If there was one thing my dad and Jude had in common it was how much they loved my mum’s Yorkshire puddings. Actually, I’m convinced they are the reason my dad decided to marry my mum in the first place. 

“You know me so well,” Jude says and it’s then that I see Jude’s first genuine smile since Noah walked through the door. But it’s no surprise because Jude has always been like another son to my mum, he always has a smile for her.

****

 “So, Jude,” Dad says when we’re all finally seated and eating. “Are you enjoying it in Madrid?”

“Yeah,” Jude brings his hand up to cover his mouth, pausing his speech while he finishes his food. “It’s great, barely any rain, and the football’s obviously amazing.”

“You know,” it’s my turn to speak now. “These two,” I wave my fork between my parents. “Literally never shut up talking about you. “Like God, forbid we ever see someone we know when they’re out in town because they’ll get a good old rant about how well you’re doing and how proud they are of you. No, but, honestly, I’m starting to think they’re prouder of you than they are of me,” I let out a laugh, everything I said in jest.

“Oh, don’t be silly. But, of course, we’re proud of you, Jude, you know you’re a part of this family,” Mum says. It had always been inevitable that Jude would be part of our family. My mum had been best friends with Jude’s mum, Denise, for years before they even considered having children. So when they did eventually have kids, they became like bonus children for both of them. 

I felt, though, when Mum mentioned that Jude was a part of our family, an awkwardness coming from beside me in Noah��s chair. And although I knew Jude appreciated the comment, and knew that he loved my family just as much as they loved him, I could also tell that he was sensing the same thing I was when I caught his eye.

“So, uhm, Noah,” Jude said, clearing his throat, right before taking a sip of his drink, his attention shifting to the man next to you. “How long are you in England for?”

“Oh, erm, I fly back tomorrow,” Noah nodded, shooting a tight-lipped smile Jude’s way. 

Jude nods. “So, did you like working with our Kai, then?”

“Kai?” Noah furrows his brow, turning towards me and tilting his head to the side in question.

“Yeah,” I sigh. “He’s always been the only one to call me that.” I shrug. My whole life everyone had just opted to use my full name, apart from Jude, who had insisted on calling me Kai pretty much since the moment he could talk. “It annoys me when anyone else calls me that.”

“Oh,” Noah squints his eyes, puzzled, but turns back to just nonetheless. ��But to answer your question, Jude, it was great working with her.” 

“Look at that,” Jude points a Noah, but shifts his gaze back to me. “You come with rave reviews and everything.”

I laugh, but Noah’s the one to speak. “I feel like everything I saw about her before we worked together was a rave review, you don’t get called one of the best actors of our generation without doing anything great, do you?”

“Well, I could give her a few reviews just based on her personality, and, let me tell you, not many of them are that great,” Jude smirks are you, bringing his arms up to his chest when I reach over the table to smack him. 

“Oi, watch it,” I can’t help but smile at the pair of them as I slump back in my chair. Watching the two of them interact settled my nerves a little. It was almost a given that anyone I invited into my life had to like Jude. Whether it was a boyfriend or a new friend, my loyalty would always be to Jude over anyone, probably until the day that I got married, so it was better to just make sure that they liked him. Why would I want to know someone who disliked my best friend, someone I’d loved my whole life, anyway?

While Jude and Noah got to talking about everything acting and Jude’s football career, I chose to speak to my parents about my next job, which was starting in February, and my summer plans that would follow. Jude overheard the last part of my conversation, “Are you coming to the Euros? You’ll have wrapped by then, yeah?”

This year’s Euros would be Jude’s third international tournament, and seeing as though I had proudly supported him at the last two, I didn’t see why I wouldn’t be going to this one, too. 

“Well, that depends,” I placed my knife and fork together on my plate, signifying that I was done. “Are you going to get me free tickets?” I raise my eyebrows at him. 

“I’ve already added your name to the family and friends list for tickets, don’t you worry,” Jude tried to wink at me but instead ended up doing a confused blink, to which I let out a giggle. “I can also get tickets for you four as well,” Jude nods towards the rest of my family. “You won’t be in the friends and family section, but I can see what I can do.”

“Thank you for the offer, Jude, darling, but me and Will won’t be able to get any time off work, and these two will still be in school. But we’ll be cheering you on from our living room, there’s no doubt about that. And depending on how well we’re doing, we might book some time off for the final, just in case,” Mum winks at him before pressing a kiss to his temple after she’s gotten up to collect everyone’s plates. 

“Don’t listen to her, Jude,” Olivia spoke for the first time since we sat at the table. “I want a ticket to every game, and I mean every single game. I’d do anything to miss a month of school.”

“Don’t be silly, Olivia, you’ve got your GCSEs,” Dad looks up from his phone where he’s most likely scrolling through Twitter looking at Sky Sports News or something in that vein.

“That’s exactly why I want to go, Dad. So Jude, can you get me tickets?” She turns her body fully towards him, exaggeratedly fluttering her eyelashes at him. 

“You know, Liv, as much as I’d like you there, you really should listen to your dad. Even I had to do my GCSEs,” Jude tells her. 

Olivia scoffs, stands from her chair, and in doing so nearly knocks the thing over.  “God, why’s it only Kaia that ever gets to do fun things?”

She’s halfway up to her room before I get to properly reply but it doesn’t stop me from calling her a sore loser. “Perks of being your biggest fan, I guess,” I shrug at Jude, a small smirk on my lips. “Oh, hey, speaking of the Euros, it completely slipped my mind that you’re working in Germany at the same time, aren’t you, Noah?” I turn to look at him. 

“Oh, yeah, I’m shooting that show in Berlin,” Noah nods. 

“So you’ll be able to go to a few games, then?” My dad looks up from his phone, dragged out of his trance and into the conversation. 

“Maybe,” Noah says. “Not sure how much free time I’ll have, but hopefully I’ll be able to get to a couple.”

“If Kaia has anything to do with it, you’ll be going to every single one that’s played in Berlin,” Noah laughs, nodding as he admits defeat, knowing my father is very much correct. It’s a habit of mine to drag people to football matches, even if they’re not the slightest bit interested. 

While my dad and Noah talk some more about his job in Berlin, I notice Jude shuffling around in his seat out of the corner of my eye. I could just take it as him being uncomfortable after being sat down for almost an hour, but the way he’s looking at my dad and Noah through his lashes, his chin practically against his chest, tells me otherwise. 

“Right, why don’t you kids go hang out upstairs or something while I help clean up this mess?” Dad moves to grab the remaining glasses that are left on the table while Jude, Noah and I get up to go upstairs. 

When in my bedroom, Jude immediately goes to sit at my desk, and I can tell that he’s preparing himself for a potentially awkward situation. His hand rests on the wooden surface, tapping away and I know it’s only a matter of time before he pulls a pen out of the pot so he can fiddle with it. 

I go to flop on my bed, grabbing my childhood teddy that I bring up to rest on my chest. Noah claims his spot beside me, in a much more graceful manner. 

“So,” I say, breaking the silence before it could take over the room. “You wanna watch a film or something?” I look between the two guys in my room, a questioning look on my face.

“Um, yeah, sure,” Jude says. “How about w-”

“Stop right there,” I say, sitting up abruptly. “Before you even ask, no I’m not sitting through Pulp Fiction again. Like yeah, Uma Thurman’s hot as fuck, but she’s also only in it for like ten minutes, so what’s the point?”

“Whoah, I wasn’t even about to say that, dickhead,” Jude annoyingly shakes his head at me while he tosses a rubber in my direction, narrowly missing my head. “I was actually going to suggest that Noah picked what we watched, so, you know, it could save the arguing, and then you started yelling at me anyway.” 

“Oh, okay, good idea,” I turn towards Noah. “Is there anything you’d like to watch, Noah?”

“Hmm, that’s a hard choice,” Noah says, a deep-thinking expression on his face. “I think I’d like to watch Pulp Fiction.”

Jude burst out laughing and I feel my face drop in agony at the thought of watching it again. I’m genuinely about two seconds away from punching my boyfriend right across the face.

“Oh, Kai, you should see your face. Nice one, Noah,” Jude’s holding his stomach at this point. 

“What?” Noah says when Jude calms himself down. “I’ve never seen it.”

That’s the moment both Jude and I stop what we’re doing, turning to face Noah with, what I can only imagine are, the most shocked expressions the two of us could muster. 

I let out a laugh of disbelief before finding the words. “You what?”

“Did I hear you right?” Jude pipes up as well. 

I’ve never seen Pulp Fiction,” Noah repeats, causing me to lay back down, simply staring at the ceiling while I try and get over my shock. 

“An actor who’s never seen Pulp Fiction, well I never.” I raise a finger in the air when I’ve had about ten seconds to process the mindblowing news. “You know what I think we have to do, Jude?” I sit up on my elbows so I can look at him properly. “Pop his Pulp Fiction cherry.”

Jude nods as soon as the suggestion leaves my mouth. “It’s only right.”

“Pulp Fiction it is then,” I’m just about to get up from my bed to grab the DVD, when the door of my bedroom bursts open, with a boisterous seven-year-old on the other side.

Leo immediately rushes over to the side of the bed Noah is at. “Hi, Noah, would you like to come and play Roblox with me?”

The look on Leo’s face is adorable. His big, brown eyes look at my boyfriend with so much adoration, even though he’s only met him once before. But Noah doesn’t seem to like Leo as much as the young boy likes him. 

“Oh, I- uhm,” Noah, fidgets, barely making eye contact with him, while I watch on with furrowed brows. “I don’t know how.”

“Well, that’s fine, I can teach you,” Leo bounces in excitement on the balls of his feet. There’s nothing in the world that makes him happier than when he’s playing Roblox.

“Well, I don’t really want to,” Noah says bluntly, leading to Leo’s face dropping, a little pout forming on his lips. 

“Oh, okay,” Leo says sadly and I can tell by the sound of his voice that he’s getting choked up. 

He’s about the leave the room when Jude stands up and walks over to him. Getting on one knee in front of him, he places his hands on the small boy’s shoulders. “Hey, I’ll come and play with you, yeah? we can play that one we were playing last time that you kept beating me at.” Jude picks Leo up, throwing him over his shoulder, causing him to giggle louder than ever. It’s a giggle that can be heard all the way down the hall until they get to Leo’s bedroom. 

My room is silent for a while, allowing me quite a bit of time to think about what I just witnessed. The only thing I can think about, though, is that I didn’t say or do anything while Leo was in the room with me. I should’ve done something to make sure he didn’t get upset, not even a little bit. 

After a little more time, I say, “What the fuck was that?” I turn to Noah, who has barely moved since Jude and Leo left the room. 

“I don’t know, he says, eyes failing to meet mine. 

“That’s not good enough, Noah, you almost made him cry because you didn’t want to play with him. He’d be really upset if it wasn’t for Jude being here,” I let out a sigh. It was bad enough thinking about seeing either of my siblings upset but seeing Leo’s face for that short moment that he thought no one wanted to play with him was heartbreaking. 

“I’m not good with kids, okay?” I have no idea what to do with them,” Noah says, raising his voice a little.

“Then just let him down easily, then, there was no need to be rude. He’s seven, Noah. He only wanted to play with you, you’re never going to get good with kids if you’re never willing to spend even ten minutes with one,” I scowl at him, mad with him for what he did to my little brother. “You know, it’s probably better if we call it a night, I’m quite tired.”

Noah nods. “Okay,” he gets up from the bed. “I’ll see you after Christmas, I suppose,” he leans down to press a kiss to my lips, which I accept, kissing back gently, but he knows that I’m still pissed off at him and that I’m probably going to be like that for a while longer. I shift my body to get off the bed. “It’s fine, I’ll let myself out.”

“Okay,” you nod. “Night. Merry Christmas.”

“Yeah, Merry Christmas,” he says, closing the door behind him on his way out. 

I fall back onto the bed, once again finding peace against my duvet, a sigh falling from my lips being the last thing I remember before I slip into a deep sleep. 

****

Jude: You okay Sleeping Beauty?

Kaia: God when did I fall asleep? Kaia: Also why are you still up? It’s 3am.

Jude: About 7:30ish. Jude: And I’m not tired but I also wanted to make sure you were okay.

Kaia: I’m doing fine. Kaia: Just shocked me a little that’s all. Kaia: Was Leo okay when you were playing with him?

Jude: Yeah but he did ask why Noah didn’t want to play with him so I just told him that he knew I wanted to play with him instead. Jude: But what he did was really fucked up.

Kaia: I know. Kaia: I'm glad he’s not really upset about it though. Kaia: And thank you for saying what you did. I think I’m still going to take him out for ice cream or something tomorrow tho just to make sure he’s okay.

Jude: No problem and yeah that’ll be good for him. Jude: So did he just leave?

Kaia: no I said it’d probably be best if we called it a night. Kaia: I made it clear that I was pissed at him so that’s why I think he was so fine with leaving early.

Jude: You did the right thing he can’t talk to a kid like that without knowing that he did was wrong. Jude: Anyway I’m off to bed. See you on Christmas day. x

Kaia: Yep, goodnight. x

Taglist: @eunoiasgoal @4evermyownmuse

If you would like to support my work make sure to like and reblog this post, and if you're able, consider buying me a pastry! (I also take writing commissions if anyone would like one).

[crazylittlejester]

I'm having a really shitty day, do you have any fluffy headcanons of the modern au Links? It doesn't have to be anyone in particular, I love them all (sorry if this is demanding, you can ignore this if you want to /gen)

i gotchu anon, im sorry to hear your day hasn’t been going well i hope you feel better 💙💙💙

- Twi is strong enough to hold (for brief periods of time at least) all of the dogs on the ranch, none of them are too heavy for him, so if they’re in the mood to be “lap dogs”, he can absolutely hold and cuddle them. Wolfie in particular loves to be held, and Twi will carry that dog around like a puppy because he loves him so so so so much and he gives him so many kisses and talks to him like a toddler. and Wolfie is obsessed with every second of it

- when War isn’t feeling good, mentally or physically, he’ll flop face down on his floor and his cat Tara will come sit by him and rub her head against his jaw until he picks her up and goes to his bed. Sometimes when its more of a mental health bad day he’ll call Wild and Wild will come over and make sure he eats something and just be there near him for as long as he needs (War does the same for him when he needs it)

- Sky loves to carve little birds for his girlfriend but he’ll also make little goats for Twi and little cats for War. Both of the boys have all the little figures Sky has made them on their desks so they can look at them

- Sky stress bakes because cooking is something that makes him feel calm and happy, so whenever he’s stressed out their apartment smells INCREDIBLE, and then he feels better by the end of it AND theres a delicious meal. Sometimes he’ll end up making more food than he, Twi, and War can reasonably eat so they’ll invite Legend and Hyrule up

- War’s cat Milo has a love for kitchen counters and so when Sky’s cooking and Milo is inevitably on the damn counter, Sky will call him “Chef” and say things like “Well we have to get the milk now, Chef Milo” as if the cat is going to help him open the fridge. Sky also sings/hums to himself as he cooks and Will end up singing/humming to the cat

- Twi goes through some pretty low lows with his mental health and sometimes he doesn’t have the energy to speak, but he’ll come silently sit next to War or Sky somewhere in the apartment and thats how the others know he’s looking for a little extra love so War will usually give him a cat to hold and they’ll watch a movie

- Every time War slips on a patch of ice on the pavement Twi makes fun of him because “mr world champion figure skater slips on patch of ice” will never NOT be funny to him, and War will hit/kick at his ankles until he falls down too

- Groose will sometimes send Sky texts like “haha fuck you, you loser, i caught this really cool ass bug and you dont have one of these” and Sky, out of sheer spite, will drop literally everything he is doing, go to the city park, and search for a cooler looking bug so he can respond with “FUCK YOU” and a 0.5 of whatever bug he found. This has gotten him out of bed on days where he was too depressed to move, this has made him go outside and walk around when he really REALLY needed it, because somehow Groose always knows when a good 30 minutes of looking in the dirt for bugs will be good for Sky and he always feels better afterwards

- War took Sky and Twilight skating once, led them both out into the middle of the rink, and then sped away, leaving both of them in varying degrees of distress. Sky was able to figure things out and get back to the edge, but Twi just stood there like a baby deer on a frozen pond (if either of them expressed being GENUINELY upset and scared, War would’ve gotten them immediately)

- Every so often they’ll have “sleepovers” where they all drag their shit into either War’s bedroom or the living room and watch movies until they fall asleep together on the floor/War’s bed. The cats join them every time

[tvckerwash]

plot points that should've been utilized in season two but weren't #432575890: the chembarons.

ignoring how awful the chembarons being taken out in a single music montage already is, I actually think it was a mistake for them to be taken out of the picture at all.

piltover's goal in season two, or act one of season two anyway, was to regain a semblance of order and reestablish control in the midst of the chaos left in the wake of the attack on the council and the continued chaos being perpetrated by jinx. as runeterra's version of the panama or suez canal, they are very valuable, and the entirety of act three in season one is establishing just how much trouble they could be in if they don't get a handle on the situation—which was one of the reasons why jayce made a deal with silco in the first place, as having some outside faction swoop in and take over because of their instability would be a problem for both piltover and zaun:

the chembarons are zaun's leaders/policing force/the guys keeping the place from falling into total anarchy, and as mentioned above an outside force coming in would be a major issue, so logically they should've played a key role in helping piltover hunt down jinx, if only for the sake of their profits. as a bonus, season one established that every single zaun faction we meet—silco’s guys, the barons, and the firelights—all hate jinx, and for good reason! so they have multiple reason to want her out of the picture.

it'd also been made clear in season one that piltover CAN'T control zaun, which is why the vote for independence happened, and with silco dead zaun is in the exact same position as piltover. working together is in their best, mutual interest, and that in of itself would be a major point of tension between the two—zaunites are pissed they're working with pilties, and piltovians are pissed they're working with trenchers. the situation would not be helped by jinx continuing to be jinx while evading capture, renni's attack, and warwick running around murdering people either btw. everything is on fire and the barons and the council are going "this is fine".

basically taking out the chembarons was a really, REALLY stupid move on multiple fronts, in and out of universe.

with the barons out of the way I want to take a moment to address ambessa and noxus, since the writers decided to make them the threat piltover and zaun came together over, which imo was also stupid. jinx being arrested should've been the finale of season two, and cait letting her go on the condition that she left piltover would've been a better ending than her sacrificing herself (because lbr having every suicidal character 'die' at the end is uh. definitely A ChoiceTM)

anyway, contrary to what the writers thought of her in season two, ambessa never had a desire to conquer piltover in season one, in fact it seemed to be the complete opposite—she wanted to take mel, whatever hextech weapons she could get jayce to make, and jump ship. a war between piltover and zaun was literally meant to be a diversion against the guy that killed kino (who I think could've been urgot but I guess we'll never know):

[purplepeptobismol]

Doctor Kenneth McCormick & The Beautiful Concept of ‘Love To The Point of Invention’

Okay! So I could not stop thinking about the dynamic between Dr. McCormick and Victor Chaos, and more importantly— chapter 13 of my fic… I’m sorry y’all. It’s just,,, there was so much discussed in this chapter and I just wanted to talk about it MORE. I wanted to voice everything out, even revealing some behind the scenes stuff, implications, deleted paragraphs, investigative research, and my thought process throughout the chapter. It was a long one; it could’ve been longer, but I genuinely forced myself to stop. Anyway, feel free to read my very own ‘directors cut’! Just letting you know ahead of time that it WILL be containing spoilers for Chapter 13 of ‘I Will Make of You’ and my one-shot (Un)Forbidden Love.

The backstory starts off as newly graduated Kenny and Butters, with Butters asking him to run away together. The reason for his hesitation is explored on (Un)Forbidden Love, but actually a big scene I cut out [and was going to be featured in this chapter] was —

The one where Kevin gifts his truck to Kenny and Butters. I was planning on hinting that Butters had explained his plan to Kevin beforehand, and had asked for his help into getting a truck of his own. Kevin, being literally the coolest person ever, basically told him that they can take his truck, and he will be gifting it to them. Butters and Kevin go back and forth about it, Butters being “no, I can’t possibly take yours! That’s unfair and selfish”, until Kevin hits him with the “I’m not doing it for you, it’s for him. We both want Kenny to be happy.” Obviously, Kenny doesn’t know this conversation happened 🥹, but caring older brother Kevin tugs at my heartstrings. I also wanted to add a tidbit where Kevin is helping them pack their things in the truck, he whispers to Leo to “make him happy and give Ken the life he deserves.” KILL ME NOW, I LOVE THEM SO MUCH!

—

Moving on past their new established relationship, we get the first hints of Vic’s negotiating skills. It is already established in the canon universe of the Post Covid South Park specials that Kenny is a very talented scientist who’s done all these amazing things— but we also find out that Butters (Vic Chaos) is the one that actually funds all of Dr. McCormick’s projects! I tried to mess around with this concept in my own story, but the one thing I always wondered was: What made Kenny want to become a scientist in the first place?

Love to the Point of Invention

I think there is something so pure, and so genuinely beautiful about loving someone so much, you’re capable of inventing something revolutionary BECAUSE of them. There are many examples of this actually happening in real life:

Kenny seeing Butters come home— fatigued and stressed from all the workload— it motivated him into creating something to help Butters feel better. And it not just worked, but someone actually bought Kenny’s invention. Of course, if it wasn’t for Butters [Chaos’s] negotiating tactics, they wouldn’t have secured the millions of dollars that helped them get into an Ivy League Uni.

Personally, I feel like Kenny truly is talented when it comes to being an inventor, but both in canon and in IWMOY, his main motivators where always the people he loves. Butters is also canonically good at running a business, and his Vic Chaos persona proves that he’s capable of getting some good money off of investors. Scientist Kenny who invents all these crazy things and Vic Chaos who invests, sells, markets, funds his inventions— It’s literally a match made in heaven y’all 😞, they’re a power duo!

—

There are a lot of other things I want to get into but I’m going to skip ahead a bit to talk about the main event of this chapter: Cooper’s creation! I’ve always headcanon that Stan and Kyle are more family oriented and the more likely to have kids first, while Kenny isn’t as caring about the concept. So when Kenny witnessed their joy and Butters cuddling up with a baby, it sort of planted him with an image of a family in his head. What really sold the idea was that conversation he had with Butters. Kenny wasn’t aware that Butters was having daydreams of starting a family with him until that very night 🥲, it once again motivated him into creating something that will make Butters’ daydream a reality. LOVE! CREATION!!

Now, the concept of bringing a human to life in the ‘non-traditional’ sense is actually very complex AND controversial 💀. I was aware that there were some negative views towards the study of human cells and artificial wombs, but I didn’t know just how bad it’s perceived… Bro, even IVF and surrogacy are still somewhat frowned upon. I’m the type of person that even if it’s not mentioned or come up in my essays, I still do extensive research so I can get a general idea of what I’m writing about. For Cooper’s ‘birth,’ there were three main things that needed to be focused:

The study of cells and how to make gametes of two people of the same sex to successfully produce a zygote (fertilized cell/embryo)

Artificial Wombs, how they work, and how will they function for a developing human fetus

The weekly development of a baby and what they will need inside a womb to grow/develop healthy

All of these things have their own concerns that required different forms of investigation, and it brought up a lot of moral dilemmas that I REALLY (and I mean really) overthought during the entirety of my research and writing process.

One

In real life, the use of animals for scientific purposes is controversial because, let’s be real— no one wants animals to be abused for humanity’s own desire to learn. Hell, I wouldn’t want that either! Yet, in my fic, Kenny does use lab mice and monkeys and it’s actually an integral component for this experiment. Personally, I do believe there is an ethical way we could use mice and monkeys for research; and that’s if the experiment doesn’t cause deadly risks and physical or psychological harm to the animals. You can let me know your thoughts! I feel like Kenny would actually be less empathetic about it than Stan, which is why I made him call Kenny out on it. Lol. Getting that out of the way, how would Kenny use those animals to reach his goal?

Lab mice are actually used to this day, and they’re a valuable species for the study of human biology, pathology, etc.. Mice have 20 chromosomes in their haploid genome, their gestation period takes on average 19-21 days, their genetic complexity is pretty low; there’s also low ethical concerns due to their rapid reproduction, small size, and short lifespan. Scientist already have a general understanding of their genetics so it makes the testing more straightforward. Kenny will definitely find more early success and failures during this section since the breakthrough can be proof that conception is possible with two species of the same sex.

I stated this in chapter 13, but the next animal they tested on was the Rhesus Macaque; they’re the primates most genetically and physiologically similar to humans. A single rhesus macaque contain 21 pairs of chromosomes, gestation period is roughly 166 days, and their maternal health has a big influence to a baby’s development much like a human. Kenny testing with these animals will help bridge the gap, enhance the technology, and address any issues that happen throughout the process. But since they’re pretty similar to humans, especially with their reproductive biology, it raises more ethical questions than with the lab mice. The failed attempts of gestation, fetal development, and the long-term health would be very hard to ignore. This step would take significantly more time and patience, lots of care will need to be taken place before ANYTHING becomes feasible. So once everything is overcome, then we could possibly move to humans.

The ultimate and final goal would be testing this technology with humans. Human genomes are extremely complex, they have 23 pairs of chromosomes (which is 46 in each cell), gestation is roughly 9 months, human embryos require precise conditions, and their long-term health need to be carefully monitored years after their birth. The testing of this would definitely be frowned upon by society. Realistically, we would need highly advanced technological breakthroughs to make this happen— it is very likely Kenny would’ve gruesomely fail this step many times. But I didn’t want to make him suffer the losses of his potential children :(, that’s too cruel. Besides, Cooper is a strong kid, and Kenny used his cursed blood to create him!

Overall, it truly isn’t scientifically possible for two species of the same sex to procreate because their biological mechanisms lack the components for fertilization (yet👀). They’ll probably need to reprogram or edit genes and cells to transform at least one male gamete into an egg-like cell. (I’ve sort of drawn inspiration from stuff like CRISPR-Cas9). Then, similar to that of IVF, mimic the fertilization of both of the cells, continue editing the genes to make them compatible, remove any harmful mutations that might occur, and ensure the embryo has the necessities for proper development. What I’m trying to get at is that either Kenny or Butter’s gametes had to be transformed into an egg so that Cooper could exist [and also Tweek and Craig for Emilio if you think about it] 🫢. Y’all can decide on whose cell it was.

Two

Artificial wombs are an actual thing being developed and tested— mice embryos have been used on clear rotating vials and they’ve actually attempted to use an artificial womb for a premature lamb who needed help with their lungs! When I first thought of using the concept of an artificial wombs back when I was drafting this story, the first images that came to my mind were something like the scenes from ‘I Am Mother.’

This technology was my main inspiration for Cooper’s creation because— really guys— how else would Kenny and Butters have a biological kid of their own if not with the use of advanced technology 😭??? Before I reached this scene, even as far back when I revealed the explanation back in chapters 2 and 8, I didn’t think much about this; truly, I wasn’t even thinking of making it a big deal. But then it was time for me to finish drafting chapter 13, and I decided to make more research on the concept, this video by Cleo Abram appeared on my recommended!

It completely changed my perspective on the concept and even made me want to tread with the idea more carefully. I really recommend watching it if you’re interested on what I’m going to be talking about. I didn’t realize how controversial or even the complexity of it. So, not only did I do research, but I also did a deep dive on motherhood and pregnancy 🤓….

Let me start with the negative conversations: The main issue people have with it is that this technology breaks the ‘idea of childbirth’ and the ‘beauty of pregnancy.’ Many mothers believe that it’s an amazing thing to grow a human inside of them, and they feel some type of bond between their child as they grow. It’s a sacred thing and ‘part of being a woman’, and they don’t want technology to take that away from them. *Though the concept of artificial wombs being an actual thing is purely fictional and theoretical, I’d like to point out that alternatives such as surrogacy and IVF are real options and even those are controversial till this day*

The positive side: some mothers believe that this technology could be a great alternative since child birth can be very dangerous to certain women whose biology doesn’t allow them to carry, or can’t conceive at all. Others simply don’t want to experience the labor. Pregnancy in general could be a very difficult thing for both the mother and a baby, this alternative could help alleviate those concerns.

In my heart of hearts, I couldn’t make Kenny be the one to invent this because honestly, he just wouldn’t understand; Heidi Turner was the best decision in my opinion. I always wanted to make her be a part of Kenny’s scientist team, and this experiment felt like the right opportunity. I don’t feel qualified to put my two cents on the topic, so I’m gonna end this segment by quoting what one of my friends said.

“For starters, I don’t want to have kids of my own, nor do I plan on ever becoming pregnant due to my own personal circumstances. But if I were to have a choice, I would like this to be one of my options. I have heard both the horrors and positives of what pregnancy does to a woman and it makes me not want to be pregnant even more. In the end, idk what the process would look like, let alone the aftermath of both my and the babies health. Of course not everyone would agree, and maybe there would be pushback for this sort of advancement, but I feel like we should focus on the idea of giving women more alternatives to choose what they could do with their own bodies instead of being self righteous about what’s natural or not.”

Three

Y’all 💀 a baby developing in a womb is really no easy task. We don’t know what happens inside a uterus when a baby is inside, it’s not like we can peek inside a womb, so we mostly just go by the current research of the weekly gestational period. But I tried my best to sum up how the process would be like. A fetus in an artificial womb would have to be in an environment that replicates the uterus. Nutrients and oxygen need to be exchanged, facilitate waste, hormonal changes that happen during pregnancy need to be mimicked, temperature and pH need to be regulated, amniotic fluid is important for allowing a fetus to move— well, pregnancy is complicated. Not to mention how foreign and disconnecting it could be for a baby to develop outside of their mother’s womb, that connection could be crucial too, no machine can mimic that warmth and feeling, and I made sure Heidi be the one to point that out.

Literally a single wrong move could be the end. It’s a very high level risk… This is a gamble with human life. Everything could go so wrong in many ways if they aren’t careful. Nothing about this could be considered natural.

No matter how you view it, what Kenny is doing is selfish. He is messing with natural order of life to have a son of his own with his husband. He knows this more than anyone else. That’s why when Craig also wanted to try to have a son of his own using this method, Kenny felt displeased. Craig CANNOT be having a spur-of-the moment baby fever, this isn’t something to FOMO about— this is a human they are attempting to create. Conscious human life. If they die in the middle of gestation, or they suffer long-term— it is entirely on their selfish fault. I wanted to add a scene where Kenny straight up tells Craig “NO” and that he wasn’t ready for it. It would lead to a big thing where even Tweek gets involved and explains his side and wheewww would it have turned out way longer.

Though this entire experiment was kinda Kenny’s sort of selfish desire of creating a family— it’s that LOVE he has for Leo that pushes him to invent this (love, invention…. *sighs*), and it was love for his son that pushed to save him in the end. It really is romantic and beautiful to deeply love someone 🙁..

This is such a heavy and interesting concept that I feel could bring on a lot of conversation to the table, I want this to be an open discussion so feel free to comment your thoughts and opinions. I also want to iterate that I AM NOT A SCIENTIST NOR AM I AN EXPERT IN ANY OF THESE CONCEPTS OR TOPICS THAT I’VE DISCUSSED. IM JUST SOME SILLY AND STUPID GUY WHO WRITES SOUTH PARK FANFICTION ☠️

—

Small little things I like to add from this chapter:

Craig living in Houston because he worked for NASA is so funny to me. Idk much about how they work over there but I do know that those roads and highways are no joke. Bro was fighting for his life in those 14 lane roads 😭. They always have construction and accidents too, shit is stressing me just thinking about it </3

Stan and Kyle being family oriented feels so right to me, and Stan getting cold feet because he doesn’t want to end up like Randy 💔 my shaylaaa. Idk what’s it like to be a parent so I hope Stan’s dialogue felt realistic 🙁. I didn’t want to include too much of how they adopted Robin, but I also wanted to give a bit of a recapped explanation that was somewhat realistic. Cartman’s death and the adoption happening around the same time would obviously stress them even more so I feel like anxiety is normal in the situation. It worked out in the end tho hehe 🫶, and it was thanks to this scene that motivated Kenny into starting his family.

Butters saying Cooper was “cooped up in there” and didn’t “want him to feel lonely” down there ☹️

I also wanted to add a bit of background Tweek being an engineer and more of Doctor Heidi Turner, but,,,,,,, chapter too long. We did decent amount of Heidi content tho, but no Tweek. He will appear in chapter 14 y’all 🙏Trust.

—

Anywho— I feel like I went overboard with this deep dive but if you have any input with the topics discussed or the dynamics between Kenny and Butters as Doctor McCormick and Vic Chaos, or literally anything else, please feel free to share 🥹

[prettyboysdontlookatexplosions]

medialog january 2k25

books

ling ma, severance - first book of the year an unfortunate dud! the most notable thing about this book is that it’s a pandemic story published in 2018, but this is also true of carmen maria machado’s “inventory” which is a much better story at like 15% of the length. by chance literally the day after i started reading this brandon taylor sent out a newsletter talking about first person narration devoid of interiority, which allowed me to be like, yes, that! that’s what’s so fucking annoying about this! a first person narrative that feels like a list of stuff that happened, instead of a glimpse into someone else’s consciousness. and i knooooow people would say that’s the poiiiint because the book is reeeeally about late capitalist anomie or whatever, which would also be used to explain the fact that the narrator has no personality or emotional life, like she’s just so disaffected and detached and blah blah blah, but the theoretical justification for this mode doesn’t have any bearing on the visceral fact that i just at no point cared about anyone in this story, because it’s impossible to care about a narrator who doesn’t care about anything or act like a human being (a species that famously cares about things lol). might also be impossible to care about a narrator with a trust fund… open to having my mind changed on this one though. other complaints: prose clunky, nobody else in this book has a personality either, palpably convinced of its own interest and importance in a way that feels very Litfic Does Genre Trope Without Wondering If Any Genre Writers Have Thought About This At All Ever (zombies as capitalist metaphor is like... even i know that and i hate zombie shit!) the pandemic stuff closest to being interesting but the page count is unforgivably focused on 1 million backstory flashback chapters totally divorced from the present day because god forbid someone who wants to tell an immigrant narrative figure out a way to somehow integrate this into the actual plot of their book or otherwise develop a character through scene and action… truly this reads like someone was trying to write an autobiographical novel and realized they couldn’t make it interesting/saleable so they chucked a pandemic narrative at it to capitalize on the twenty-first century genre turn. i don’t know if that’s what happened… but that is how poorly the disparate threads are woven together.

miranda popkey, topics of conversation - really liked this! like it more the more i sit with it. i had it already and it happens to get mentioned in that taylor newsletter i mentioned as being a different kind of first-person narrator, so i read it figuring at least it wouldn’t annoy me in the same way as severance. i was a little skeptical at first for two reasons: (1) the book is told through a series of conversations across a long span of years, which i was worried was a cheat to avoid having a plot; (2) early on lots of women and sex and power stuff, which is dangerous territory re: potential to irritate me. but it won me over on the second point quickly by undercutting what it had seemed to be doing in a refreshing way near the end of the first chapter, and by the end i was ready to concede point (1) because it had done a very good job of telling a story beneath the story it was telling; more than once i was kind of rolling my eyes like, okay, but, really?, only to find a little while later the book addressing precisely what had been my concern, which made me feel like i had been pleasantly tricked. the prose is unshowy but very self-assured with a good ear, and a few lines/passages burrowed under my skin. the narrator is self-critical without being self-indulgent… idk, it threaded a number of needles very well. impressed and pleased.

myriam gurba, mean - another one i started out wobbly on and wound up liking a lot. in this case, the cover/what i’d heard led me to expect a different, darker, tone than i found, and i wasn’t sure i was on board; funnily enough, at one point i thought, disparagingly, “eh, kinda zine-y,” and then something clicked and i remembered wait, i like zine-y, and that let me recalibrate and get sucked in. mean is a memoir, more or less, opening with a description of a rape-murder in gurba’s hometown and then switching gears to become a coming-of-age story in vignettes, with the reason for the opening scene eventually coming clear in a way that made me really admire what the book was doing formally as a way to talk about sexual assault; i was also reminded of the absolutely true diary of a part-time indian, a book i loved, both for its form and for, to some extent, its tone, or its willingness to combine a light touch and a sense of humor with some dark-ass material (although mean is not YA and goes much darker in both content and expression) & often incisive racial commentary. gurba is a really playful, funny, curious writer, and while i think she could have killed a few darlings, by the end her voice had really won me over. she is not opposed to pushing hard on the bounds of good taste, and i would say that most of the time i was with her because she was either honestly capturing the sociopathic awfulness of teenagers, including her own teenage self (people who self-righteously respond “well i actually never laughed at XYZ in high school…” this book is not for you and also you are annoying, and i say this as someone known in high school as a bit of a PC scold myself!), or else, for example, making jokes about her own sexual assault or other issues, and then there were some times where, like… ok maybe an illustrative example is that i saw a goodreads review that was like “i was loving this book until she used touretted as a verb, my condition is not a cute joke,” and i was like, on the one hand, i get it, but on the other hand, the prison rape joke didn’t phase you? the holocaust joke? (holocaust joke distinct from the chapter about how reading the diary of anne frank made her horny btw.) so… on that score tolerance will reasonably vary lol. given that a fair amount of the back half of the book is in fact about the aftermath of sexual assault, i really admired how the book refused any kind of redemptive arc, landing on a brutal note, but also avoided feeling oppressively downbeat by virtue of the ferocity of its own telling, which stands as its own proof of survival.

elaine castillo, how to read now: essays - not for me. none of the ideas here felt new if you’ve ever spent more than five minutes considering the relationship between art, race, & politics, and i didn’t feel like they were ever explored at a depth beyond (or… even equal to?) that which i would find on a random tuesday scrolling my tumblr dash. elegance of expression can be its own justification but stylistically this book mostly just convinced me that books are not blogs and should not sound like the internet; the lack of discipline which can be a feature in internet writing (not always! but can be) is always a bug in print (or, at least, i haven’t encountered the book to convince me otherwise). i was excited that the title of the first essay was “reading teaches empathy and other fictions” but then instead of unpacking the cultural ideology that associates any kind of moral education with leisure pursuits at all it was mostly about how the white straight male story is granted universality but others are not, which… you perhaps see what i mean about how this will not be revelatory for those of us enrolled in the continuing ed program at supernatural dot edu slash tumblr dot html. there’s a weird essay about going to new zealand and being like “wow imagine if native relationships were this good in the US?” which i found weirdly uncomfortable to read from an american who by her own admission is not well-versed in that region’s history. she opens an essay by being like “i know it’s basically boring to talk about how you hate joan didion” and then spends 45 pages doing that (including what i think is a misread of at least the tone of didion’s comment that writing is the act of a bully - i’m not a didionhead and would never defend her famously terrible politics, but a) she is i think pretty clearly being both hyperbolic and self-deprecating b) castillo takes this as the chance to be like “well i write to be vulnerable and connect,” which… perhaps this is self-indulgent self-deprecation on my own part but i have an instinctive and strong aversion to writers hyping up their own reasons for writing, lol c) this is objectively not a stance exclusive to white ladies bc zadie smith once said essentially the same thing except i think she used the word sociopathic lol)... and then in the end notes of that chapter she drops a casual rec for the “excellent” show our flag means death which… girl, be serious… you’re gonna write 300 pages about the dangers of reading without context and then simp for the slaveholder RPF show with no commentary whatsoever? it’s fine to like that show btw i might watch it myself one of these days but it’s just deranged to drop this without qualifiers in a book allegedly against the act of eliding historical reality for the sake of aesthetic pleasure and comforting fantasy! she also does two things that are unfortunately guaranteed to make me, personally, insane (characterizing damon lindelof’s HBO watchmen as an important statement on race in america and being kinda wrong about the odyssey) which i will address below the cut at the bottom of this post because i understand that my own need to talk about them is the result of my bad personality and also this is long enough already.

movies

no - this is a 2012 movie about the plebiscite vote that ended the pinochet reign, starring gael garcia bernal as the young ad guy the leftists rope in to helping them make the best use of their allotted 15 minutes of TV time. i really loved this, for a few reasons. first, an interestingly and well-made movie; the director is the guy who did spencer, which i hated, and i don’t know if it’s a matter of directing in spanish or what but it felt like two totally different worlds. second, some extremely funny and perhaps broadly relevant commentary on the purity-strategy tension in leftist spaces; i particularly loved the scene where our protagonist unveils the logo and the leftists are like, “oh, and the different colors of the rainbow represent the factions of the leftist coalition coming together, right?” and he’s like “uh huh. yeah. totes.” third, there’s a matter-of-factness to the way the movie depicts living in a military dictatorship — depicts oppression, depicts military violence against civilians — that felt refreshing and, ummm…. very un-American. perhaps very latin american. but certainly very un-American. something really fucked up happens and it feels bad and then you go home and play trains with your kid and you maybe don’t expect that everyone is spending 8 hours a day wringing your hands about How Is Anyone To Live Now. fortuitous timing for me personally maybe to watch this on new year’s day 2025. also gael garcia bernal is always the only guy in the scene wearing jeans and rides his skateboard everywhere. strong rec.

the shop around the corner - the philadelphia story baby jimmy stewart pilled me so bad that when i learned this both starred baby jimmy stewart and was directed by ernst lubitsch i was like, wow i GOTTA see that. two coworkers hate each other while falling for the anonymous correspondents that are, of course, each other all along… this does a couple things that mitigate the screwball romcom gender politics problem, my favorite of which is introducing the female lead in a scene that highlights her smarts and competence, which is important in a love story about a meeting of the minds. has superb production design, lighting so good even i was like “wow the lighting,” a great ensemble cast given a good amount to do in a way that makes the whole movie feel really suffused with tenderness and care even amidst all the screwball prickliness, and most importantly some incredibly funny jokes.

one way or another (todo modo) - this is a really weird italian 70s thriller whose plot is largely incomprehensible if you are not conversant in italian party politics of the 70s, which i am not, but it was still worth watching for the unbelievable Catholicism Is So Fucked Up vibes… the whole movie takes place in a catholic spirituality retreat packed with power-players, largely underground in the spookiest ass rooms imaginable… there’s a ruthless priest and a million political freaks… and then people start dying… kinda conclave meets and then there were none meets glass onion? tbh sassier and bitchier and more honest about institutional catholicism than conclave!

a complete unknown - most of the non-singing parts of this movie are Fine, I Guess, If You Like Biopics; some are pretty bad (why does this movie hate alan lomax so much… to say nothing of the women, through no fault of the two actresses doing their damned best…). the cast is reliably good, i was worried at first timmy was going to be giving SNL sketch the whole time but something shifted and he won me over and i thought he was good and especially that he was very funny in the too-rare moments the movie found itself a sense of humor, mostly on the topic of bob dylan being a weird freak pathological liar with no social skills or interest in developing them (valid and should have taken up way more of the runtime than it did!!!). lots of people have complained about how much of this movie is just watching bob dylan write down lines while playing his guitar but i actually think this is even worse than people are saying because what it does is almost entirely obscure dylan’s voracious cultural appetite and eclectic influences, which is a huge part of what makes him the artist of he is, and which he himself is the first to own (chronicles volume 1 — of 1 lmao — is in my memory almost entirely dylan talking about what he was reading and listening to and watching as a young person). however the reality is that none of this really matters to the viewing experience of the movie because the movie smartly understands it’s not going to be better at making a movie than bob dylan is at making songs, so it just never makes you wait very long before the next time bob dylan is playing a bob dylan song, and if you are a certain kind of person for whom the music of bob dylan has a certain kind of effect — which i am — what happens is that the opening notes of one of the best songs in american music history starts up and all cares over “screenwriting” and “gender” and such things fall away and you just sit there in a haze so grateful to live in a world where bob dylan gave us “girl from north country.” also, credit where credit is due: the movie looks very good, in a very standard hollywood way but well that’s a dying art it seems. i liked all the lens flares in the night scenes! they were pretty and evocative without being distracting!

juror #2 - i love watching a movie about people talking about a process while i wash dishes. bonus points for this one because of my wrongful convictions thing — i found it genuinely a relief to watch a courtroom drama in which we know the whole time that the logic of the court seems persuasive to many people but is wholly wrong. nicholas hoult!

jay and silent bob reboot - this is an objectively pretty bad and at times genuinely offensive movie that made me laugh so, so much. im sorry

presence - i was absolutely never not going to love a soderbergh ghost story; i like that it’s less a horror movie and more a family drama from the perspective of the ghost, and i like that steven soderbergh, who i first started feeling interested in because of how unusually willing he is (among our A-tier dude directors) to view women as potential protagonists, made a movie largely about a sad lonely teenage girl. camera work on the ghost POV very cool and for me very effective. a tight 85 minutes! they shot it in 11 days! i love you steven!

nosferatu - already said this was a miss for me, and the more i think about it the more i feel reasonably sure that it would have been even if i were not so dracula-pilled… idk. i agree with my anon who called it cold. there’s a fundamental distance between the storyteller and the story that, again, was part of what i enjoyed about the lighthouse, but just doesn’t work for me with a more traditional, more visceral (in multiple senses) tale. similarly to the line about how there can’t be an anti war war movie, because you can’t portray combat without glorifying it, i sorta feel like maybe you can’t tell a story where you want credit for giving your abused and disbelieved female protagonist agency and also have multiple scenes that are like, “ok now do the crazy possessed horror chick thing” lol. i also thought it looked kinda bad in parts and really muddy in all the moonlight scenes but i did see one review on lbxd that was basically like “this movie only looks good in IMAX bc regular theaters can’t get the blacks deep enough” so… maybe that’s true. on the bright side: nicholas hoult!

music

kendrick lamar, gnx - this thing happens to me often with music where anything presented as A Big Deal i have a hard time listening to because i keep being like no it’s not the right time… this is why for example i have never listened to a mitski album and also why until now i had never heard kendrick outside of his features with taylor (bad, not his fault) and the lonely island (p. good) and, ofc, not like us. but “squabble up” came up at the singles jukebox and i got really into one of the slant-rhyme runs near the end and the general personality of his flow so i decided to check out the album and would you believe? kendrick lamar, good at rapping. i like how this album is like kind of about having a god complex and sort of knowing you’re being crazy but also what if actually you kind of mean it? (people get mad if you say this kind of thing so don’t tell anyone but it’s actually similar to the pose i enjoy taylor striking on some of the wilder moments on TTPD, lol.)

girl pusher, gaslight gatekeep girlpusher - 20 minutes of very of-the-moment hardcore-adjacent punk, mostly too hardcore for me (literally, i don’t like music that’s all screamy) but the 3 songs that aren’t are real bangers.

ghoulies, shafted by the algorithm - 20 minutes of bright synthy punk where i have no idea what anyone is saying, kind of like matt and kim with less abrasive vocals? (remember matt & kim??? no? bc i’m old? well ok). not an album i’ll return you but i liked the vibe enough to chuck the whole thing onto my 2k25 rolling faves list and have been enjoying the occasional 2-minute infusions of pep!

underscores, wallsocket (director’s cut) - really impressed by this one, and also really enjoyed it. i keep seeing people call underscores hyperpop but either their earlier work (which i haven’t heard) is very different or i just don’t actually know what hyperpop is (very possible). to me it’s giving aughts indie, maybe a little emo but like the bright eyes kind, it’s giving saddle creek but made by a kesha fan. (does anyone else feel like we’re really in a post-kesha era in a way that is not being appreciated…) catchy, inventive, varied but cohesive, angry and funny, political & personal in the lyrics, sometimes at the same time. there’s a song called “johnny johnny johnny” which is an incredible banger about being groomed by an internet predator in middle school that really blew me away; would also rec “cops and robbers” just because it slaps. but even the quiet songs are good!

rosie gray, louder, please - flawless and sometimes even kind of interesting (although never that interesting) dance-infused pop (pop-infused dance? i think the first one but i’m no expert). pretty, fun, sometimes endearingly unsubtle — there’s a song literally called “party people” and another one where the refrain is “the best things in life are free,” also one called “switch” that rhymes “positions” with “submission.” dumb but thoughtfully and expensively so (or so it sounds, which is what counts). the way that people talk about feeling when they watch influencers swanning poolside in ibiza or whatever, that’s what listening to this album makes me feel like. vicarious luxury and all i need is a pair of headphones. another one where i don’t anticipate returning to the album as an album much but i rarely hit skip when a track shuffles my way.

zora, BELLAdonna - yoooooo this album FUCKS, like, SEVERELY!!!!!! saw someone rec this saying it was framed as a black trans revenge fantasy, which, i’ll be honest, turned out to have absolutely no bearing my listening experience whatsoever, but i am dutifully repeating because maybe you, too, will be intrigued enough to listen, and then discover that this album has BOPS. i am not really up to the task of describing this one — rap/hip-hop forward but with glimpses of both r&b and a pop (maybe even hyperpop?) sensibility, obviously broad in its influences (there are at least two likely refs to bodak yellow lol) while sounding like the clear work of a distinct voice, retro and futuristic by turns or sometimes at the same time. sounds really really cool and really really fun. sick flow, sick beats, a song called “sick sex”... strong strong overall rec here, this album rules.

single of the year so far is "IT girl" by jade (from little mix!!!) btw. if you care. really delivering on always low-key being the most interesting of the quartet in what she's put out so far, not all of it is my thing but she has a Vision and IT girl is a certified bop... really curious about where she goes next.

okay so petty grudge-holding below the cut:

first, the watchmen thing. to start with, she drops in the intro that she admires HBO watchmen, and like, did this alone make me read the entire book less generously than i otherwise might have? entirely possible. that is me owning my positionality as a reader. anyway. mostly here i just want to say that she specifically discusses the fucking 1922 movie about a black hero saving a grateful white crowd that made me the joker and drops that the name of the hero is “historically accurate” because he’s named for the first black marshal in oklahoma or whatever, which, ok. cute, i guess, if i didn’t hate this. what i hate, and what is not historically accurate, is: the existence of a film in 1922 (7 years after birth of a nation!!!!!) with a portrayal of american race relations that looks anything at all like the one in this movie. i mean it’s just crazy. and i find it first of all just inane because if you’re capable of writing this scene and thinking it feels plausible, you by definition do not have a good handle on the history of antiblack racism in america or how deeply it has resided at the core of american popular culture (among other things), and second of all genuinely kind of offensive because of the smash cut to Real Historical Atrocity that follows, underscoring the alleged “realism” of the scene. and it is insane to me to praise this scene for its “historically accurate” detail in a book, again, largely about the importance of bringing an understanding of historical context to your reading. it makes the author look a little bit like she only means that for stuff she already happens to know about or saw someone else talk about online. lol.

also the essay starts out being like “another day another jkr twitter meltdown” which does not help with the sense that these essays were blog posts that did not get sufficiently cleaned up for publication (is that true? idk. it’s how it reads though!). and it’s called “the limits of white fantasy” (but then is largely about how HBO watchmen is good lmao) and has a thing like “well rightwing types can appropriate symbols from harry potter and the hunger games and wherever else because those authors never cared about oppression they were just interested in its trappings.” first of all, leave my girl suzanne collins, cashing her checks blissfully offline, out of this. but second of all i actually think this is a substantively wrong diagnosis. jkr very, very, very obviously and sincerely cares about oppression. she is just catastrophically wrong about who is oppressing whom! but it’s extremely clear she thinks of herself as an actual victim of the actual injustice (in her head) of the woke trans mob or whatever. ditto antivaxxers using hunger games cues or whatever. they sincerely believe their rights are being infringed upon. sometimes people are actually wrong! sometimes people care a lot about morality and justice and are wrong about what those things are! i think this is in general harder for people to contend with than the idea that anyone engaging in such wack behavior just “doesn’t care”... but it is true. writing this out makes me think i undersold the insight potential value-add of naomi klein’s doppelganger, because she’s actually really good about recognizing that while these movements involve a lot of sociopath grifters at the top, the footsoldiers are people responding to ways they do in fact feel victimized (and sometimes actually are, e.g. i literally can’t remember if klein talks about this or not although i think probably yes but a lot of people in the alt-wellness/medicine space got there as a result of terrible experiences with healthcare that failed to address their physical and emotional needs).

ok also AND one last thing about this essay, she really gives the impression that she thinks damon lindelof is like the first person ever in history to politicize the figure of the vigilante/superhero… lmao? she praises the show for being about how actually community is necessary and justice can’t be done solo, which, first of all, just gonna throw this out there, there are ways to tell that story without being like truly the most police brutality apologia nonsense i have ever seen, and secondly, this is literally thematically expressed quite poignantly in alan moore & dave gibbons’ comic limited series watchmen in the scene where the guy acting as a lone vigilante who has taken the fate of humanity into his own hands nukes a bunch of new yorkers coming together to try to mediate some conflict. do i think that you need to have read watchmen to write an essay — not a BLOG POST on your DUMB BLOG, an ESSAY in a BOOK — about the politics HBO watchmen? i mean, maybe? is that so crazy? she says making hooded justice black is a radical reimagining of a comics character which is so funny because it makes hooded justice sound like he’s fucking superman or something and not a probable nazi who dressed up as a kinky klansman as part of watchmen’s commentary on the politics of superheroes lmao. like hooded justice is already a radical reimagining of the superhero mythos… because he sucks… and i guess in my heart no i don’t think i’m just being a weird watchmen stan (lmao) to say, “you actually can’t get a meaningful read on the politics of HBO watchmen without taking into account that the actual intervention being performed with this character is ‘what if this nazi was actually a sympathetic black man.’” do you see how that feels different? (also not for nothing but wrt the idea of HBO HJ being inspired by the movie about a black hero, again, in the comics HJ through his klan-ish costuming is already inspired by american iconography of heroism — arguably one he also saw in a silent movie that actually existed by the name of birth of a nation lmao!!!!! — which is part of the indictment of american hero iconography… i mean whatever. it’s so fucking stupid. btw her big takeaway from this character’s arc is that justice has to happen in community which is also funny because like you know who had a really strong sense of community? the klan.) do you see how it feels maybe extra different in a show whose ultimate thesis is something like “what if nuclear weapons were good if we gave them to a black lady cop who loves doing police brutality so so much”?

and… ok one LAST-last thing… in her informal endnotes, she cites “the watchmen universe” created by moore & gibbons, which… idk man. on the one hand i’m like, ok but it actually is mostly irrelevant to my textual beefs here that watchmen was in fact not intended to be a “universe” as we now use that term in the IP era and that the extent to which it has become one has been expressly at the disapproval of moore largely because of the fact that DC fucked him over so bad with this that it literally changed comics contracts going forward lmao. but on the other hand, if you like claim to care about the social context in which art was created, isn’t it not the best look to do not a single google and uncover the most famous example of the abominable labor practices of the comics industry? i acknowledge i could be indulging in pettiness at this point.

OKAY so that’s all on watchmen i think. the odyssey thing is smaller and less of a big deal, more just goofy. so she talks about the cyclops sequence and highlights how in recounting this story to the phaeacians odysseus is identifying certain arbitrary marks of “civilization” such as cultivating fields, and how he ignores the arguably very “civilized” acts we see polyphemus the cyclops commit, such as tending his sheep and making cheese. this is all fine and unobjectionable, even true, although i will say that, first, she presents this like these are insights she is bringing to her close reading of the text but i really struggle to imagine the person in the past several decades who would disagree with the fundamental thesis “the stories and myths and texts of ancient cultures served in part to delineate and reinforce their own social norms”; and second, she opens the essay with an epigraph from toni morrison talking about how she always admired how homer could make you feel sad for the man-eating cyclops, but then she doesn’t bring this quote up at all and talks about polyphemus’s sheep and cheese as though recognizing in them the marks of humanity is, again, a novel way to read the text? idk maybe i am just misreading her tone bc by this point i was very tired of how impressive she seemed to find herself but i found it odd because she’s like “see polyphemus is actually complicated but odysseus doesn’t see that” and i’m like well yeah that’s like what morrison was talking about… i have no idea how this would have scanned in ancient greece bc i’m not a classicist but neither are you so… anyway. i couldn't figure out her attitude on the odyssey (or this chunk of it) as a text, i guess.

so she takes us through the whole incident, including a cutesy reading of “nobody is blinding me” as like a metaphor for how power operates by making it impossible to name it, which, sure. have fun. and she closes on odysseus’s final boast along the lines of “if anyone asks tell them it was odysseus of ithaca son of laertes who blinded you.” and then she goes into this whole thing about how like… this is odysseus wielding his privilege basically, that he’s doing this because he’s so secure in his name and the power that grants him. she says, “It’s his confidence in his own context that is Odysseus’s greatest strength, his greatest privilege, and his greatest cruelty.” which… i guess kinda makes sense… if you ignore the part where namedropping himself is literally what GETS HIS ASS CURSED? he drops his name and instantly polyphemus is like “grandpa end that motherfucker” and boom, odysseus’s men are doomed to death and he is cursed to ten years at sea. like… it is literally not his greatest strength!!! it is the thing that gets his ass beat!!!! and notice that observing this, the BASIC LITERAL PLOT OF THE TEXT, does not require morally defending odysseus, or claiming homer was woke, or whatever. it is very obviously the case that the text does not think odysseus’s thing about his name is bad and he is being punished for it to learn lmao. i actually literally pulled my old fagles translation off the shelf to find what bernard knox had to say about this, if anything, in the intro, and he reads it as an expression (one of several) of the same heroic code you see achilles living by in the iliad, which includes the idea that you must take credit for your shit — even in this situation in which doing so puts yourself and your ship at great risk. this is not a particularly sympathetic reading to most modern readers! but it is one that takes into account the fact that this is the inciting incident for LITERALLY THE ENTIRE PLOT OF THE POEM!!! like it is crazy to quote that line and end the story there as if odysseus just walks away unbothered! the point of that interaction is not that he’s acting like a vanderbilt trying to get a table at a fancy restaurant, and it is not incidental what happens next because what happens next is THE ENTIRE STORY! and, like… it’s also not incidental because the fact of the matter is the world of homer is simply not a world where your name protects you, or achilles and agammemnon would not be hanging out in the fucking underworld. i’m thinking here about knox’s comment on the iliad that it was written in a century where athens spent more years at war than not, and how crucial understanding that is for understanding the world these stories were created in… i mean on the one hand whatever but on the other hand the essay collection is literally about the idea of reading things in context… so like… whatever. you could take the events in the text and then discuss their influence on 3000 years of western art and how that trickles down into values or whatever, i guess… but she didn’t do that so like :/

also then she says “he may be traveling, but he’s not a migrant,” which i just found goofy because i’m not really convinced the concept of A Migrant as she seems to want us to read it makes a ton of sense to superimpose onto the mediterranean 3000 years ago. (i feel like A Migrant requires the concept of… nations? borders? etc.?) happy to be corrected on this by any classicists who follow me.

also her didion essay is not as good a takedown as either didion's own takedown of woody allen or barbara harrison's takedown of didion. lol.

anyway. ok. that’s my grudges off my chest lmao.

[dearweirdme]

Jk didn’t kiss Tae at the airport and Tae didn’t kiss Jk’s nape on stage. These are conclusions you come to when you don’t bother to have a good understanding of the members and their habits. Jk either tripped (most likely option) or he his whispered or sniffed Tae’s hair. He was even wearing a mask. How do you kiss someone with a mask on? Even if he was excited because it was Tae’s birthday, he couldn’t wait until they were in private? Tae didn’t kiss Jk’s nape. He sniffed it which is something he actually does quit abit. There is no way in hell you believe that Taekook are a closeted couple and you spend all that time talking about SK and how it deals with queer people yet you believe that Jk would kiss Tae at an airport full of people and cameras. Yes queer people who are closeted are human which means they can slip up sometimes but slipping up doesn’t include kissing someone at a crowded place like an airport with multiple media houses present. Taekookers would make excuses about Tae and Jk not spending certain days or moments together and blame it on them being closeted yet the same people would claim that jk kissed Tae at an airport. How does that even make sense to you? There is literally no reason to do that except they decided to come out. You see sense in it because it is Taekook but if this was another suspected couple we were discussing you would have been swearing about how queer people can’t even admit to talking to each other or seeing each other on certain days because they are closeted in a homophobic country. This shows that you don’t even believe your own arguments but only make them to debunk other ships.

I know that you might start talking about queer people being human or having moments where they don’t give af and I agree but those moments will never include openly kissing at a very public place with the media present unless they are ready to come out. Arguing this fact means you don’t even know the first thing about the closeted people or so rules you talk about 24/7. Apply the logic you use in debunking other ships to your own ship. These rules don’t only apply to others.

Hi anon!

I’m actually very consistent and my views on Tae and Jk and their closeting. I don’t see it as something that’s stagnant for one. I think throughout the years the way they have dealt with their closet has changed from pretty serious to more free (though still with boundaries for sure). I’d say that’s a normal way of development when you allow for the idea that they don’t actually want to be closeted in their hearts. They have learned not only how they themselves come across as a couple, but also the ways fandom will react to them. They know where and when there’s space there and at times I think they take some of that space at times.. because feelings speak louder rational thoughts at times. And yes that is them being human. They weren’t openly kissing. Jk gave Tae a kiss at the back if his head. At most (outside of tkkrs) the response would have been that they are cute and he loves his brother so much. As lovely and cute as I might feel the moment is.. there is absolutely room for people to say it’s not romantic.

‘Apply the logic you use debunking other ships…’ let’s be real, there’s only one ship I debunk. And there’s a fast difference between Jk giving Tae a kiss like that (a small fleeting moment) and giving two members the spotlight by sending them to do a travelshow together, and two members enlisting together. Jkk isn’t real on many levels, it’s just not in their interactions for me.. I wouldn’t even need to use the closeting argument to point that out.

The whole thing is though, that it’s not about what it’s supposed to look like, but it’s about what we see. Their situation is unique, so it’s not actually weir or impossible to see things that we would normally not expect from others in the same kind of situation.

[fangirlhehe]

Yessss ofc!!

Ummm here are some rapid fire javey headcannons because I literally just woke up lol

- Davey’s favorite color is red and Jack’s is blue (jacks bandana, davey’s eyes)

- the other newsies all relentlessly make fun of Jack and Davey because of how much they’re together, how couple-y they are, etc.

- Jack is obsessed with Davey’s eyes. Because gay.

- Davey adores Jack’s accent

- If they were a song, they would be the hozier cover of “do I wanna know?” By arctic monkeys. Specifically the hozier cover.

- Jack is always holding Davey’s hand at all times. He like the security and safety that comes with holding his hand.

- Davey likes to mess with Jack’s hair

- Davey feels like he has known Jack for his entire life. Like, when he met him, he felt like he met a missing piece of himself

- They had met one time when they were both younger. Davey was stealing food, he wasn’t good at it, but he was trying because his baby brother was hungry. He ran into Jack (when he was still Francis) and Jack walked him home. (This is a little plot point in one of my fanfics)

- When Jack scabbed, Davey was so hurt but he couldn’t bring himself to hate him. He knew that there must have been something that happened to Jack to make him scab, but he pushed away that thought because the idea of Jack being hurt was too much for him. He would rather Jack hurt him than have anything hurt Jack.

- The reason Jack stayed in New York was because of the look Davey gave him when he was about to leave.

That’s all I’ve got for now!!! Thanks for letting me yap🤪

(asks you about javey)

OKAY SOOOOOOO—

The way I see them is like, they met and they instantly clicked. They immediately became friends (and more).

I also think that Davey fell first, but Jack fell INFINITELY HARDER. Like, Jack is so so in love with him that it’s sickeningly obvious. Davey is constantly shocked by how much Jack loves him and it makes his heart swell.

When they first meet, Davey is a little bit skeptical and untrusting of Jack. Within hours, Jack gains his trust and they click.

I think that Jack would have a hard time actually opening up to Davey because of his past, but once he got comfortable, he just spilled his guts to him. Everything that he’d been through just came out and Davey listened intently to everything.

Jack would also listen to Davey talk about his struggles with things like money, family stuff, anxiety, etc. Jack knows that Davey doesn’t have it as bad as him, but he doesn’t ever bring that up. He just listens.

Thank you for letting me yap

[rainybraindays]

The best dc friendship is Ted kord blue beetle and booster gold, and if you disagree thats okay but clearly you're blind

[poorly-drawn-mdzs]

Bare skin, bare feelings.

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